The Fine Art & Collectibles Sale
Lot 169:
Description
Signed (verso)
Image Dimensions: 35 1/2 x 23 5/8 in (90 x 60 cm)
This lot is accompanied by a consignor-provided COA or related documentation, offered as received.
David Hockney’s later landscape paintings mark a return to direct observation, yet they are far from traditional naturalism. Instead, they translate lived experience into a heightened visual language in which color, rhythm, and spatial clarity take precedence over illusionistic depth.
In Church Lane, Ripley, the composition is structured around a winding rural path that leads the viewer’s eye into the distance. The road functions as both a compositional anchor and a directional force, guiding perception across the canvas while organizing the surrounding fields and vegetation into a coherent spatial sequence.
Color is the dominant expressive element. The vivid yellows of the fields contrast sharply with the saturated greens of the foreground plants and hedges, while the pale blue sky introduces a sense of openness and calm. Rather than blending tones to create atmospheric illusion, Hockney applies color in distinct, luminous patches, allowing each area to retain its clarity and intensity.
The brushwork is energetic yet controlled. Short, visible strokes build the surface, emphasizing texture and movement without dissolving the structure of the scene. This balance between spontaneity and order is characteristic of Hockney’s mature landscape practice.
Perspective is deliberately simplified. Depth is suggested through layering rather than strict linear construction, creating a space that feels both accessible and slightly flattened. This approach aligns with Hockney’s broader exploration of how vision is constructed, rather than simply recorded.
The painting conveys a sense of immediacy. It captures not just the appearance of the landscape, but the sensation of moving through it-the shifting colors, the changing light, and the physical presence of the path.
From a market perspective, Hockney’s landscapes from the 2000s and 2010s have become increasingly significant, reflecting renewed critical and collector interest in this phase of his work. The label indicating the title, date (2010), medium, and dimensions corresponds closely with the visual characteristics of the painting, supporting its coherence within his known body of work.
In a display setting, the painting offers both vibrancy and clarity. Its strong color contrasts and clear structure make it immediately engaging, while its subtle spatial construction rewards prolonged viewing.
This work exemplifies Hockney’s ability to transform a familiar landscape into a vivid, structured, and perceptually rich image-one that reflects both direct observation and a deep understanding of pictorial space.
Condition: ALL PROPERTY IS SOLD AS IS, WHERE IS, WITH NO RETURNS OR CANCELLATIONS.
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